| 課程進度表(Course Calendar)：
Part I 影像、出現、檔案與文化研究
第一週：3/1
Introduction: Image, Appearance, Archive and Cultural
Studies
導論：影像、出現、檔案與文化研究
請注意：本週閱讀材料已上網，請下載閱讀。
- 1. Jessica Evans and Stuart Hall, “What is visual culture?”
in visual culture: the reader, Evans, Jessica.
& Stuart Hall eds. London, Thousand Oaks, New Delhi:
SAGE Publications, 1999. 1-7. [with table of contents, v-viii.]
- 2. Irit Rogoff, “Studying Visual Culture.” Visual
Culture Reader, Routledge, 1998. 14-26. [with table
of contents, v-x.]
- 3. Le Goff, Jacques. “Mentalities: a history of ambiguities,”
Constructing the Past: Essays in Historical Methodology.
Eds. Jacques le Goff and Pierre Nora. Cambridge: Cambridge
University Press, 1985. 166-180.
- Screening: Hans-Jurgen Syberberg, Hitler, a Film from
Germany (1977)
延伸閱讀：
- 4. Matthew Rampley, “Introduction,” “Visual Culture and
the Meanings of Culture,” Exploring Visual Culture:
Definitions, Concepts, Contexts. Ed. Matthew Rampley,
Edingburgh University Press, 2005, 1-17. [with table of
contents. v-vi]
- 5. Margaret Dikovitskaya, “Institutions and Pedagogy,”
Visual Culture: The Study of the Visual after the Cultural
Turn. Cambridge, Massachusetts, & London: the MIT
Press, 2005. 85-118.
第二週：3/8
Hans Jurgen Syberberg, Hitler, a Film from Germany,
the Death Instinct, and the interpretation of historical images
主題：賽柏格的希特勒、死亡驅力與歷史影像詮釋
- 1. Susan Sontag, “Syberberg’s Hitler” (1980), Under
the Sign of Saturn. Doubleday, 1980, 137-165.
- 2. Gilles Deleuze, Cinema 2: The Time-image (1985),
Minneapolis: University of Minnesota Press, 1989. pp. 108-109,
126-127, 262-280.
- 3. Gilles Deleuze, “The Death Instinct,” “Sadistic Superego
and Masochistic Ego,” Masochism: Coldness and Cruelty
(1967), New York: Zone Books, 1991. pp. 111-138.
延伸閱讀：
- 4. Ron Burnett `Lumiere's Revenge'. In T. O'Regan &
B. Shoesmith eds. History on/and/in Film. Perth:
History & Film Association of Australia, 1987.140-6.
http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/BURNETT.html
- 5. Leonie Naughton `Recovering the "Unmastered Past":
Nazism in the New German Cinema'. In T. O'Regan & B.
Shoesmith eds. History on/and/in Film. Perth: History
& Film Association of Australia, 1987. 121-30. http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/NAUGHTON.html
- 6. SCOTT SPECTOR, “Was the Third Reich Movie-Made? Interdisciplinarity
and the Reframing of "Ideology"” The American Historical
Review (Vol. 106, No. 2, 2001) http://www.historycooperative.org/journals/ahr/106.2/ah000460.html
- 參考：Other views by Michel Foucault, Henri Langlois, Serge
Daney, Michel Guy, Julien Gracq, Bernard Sobel in France,
Francis Ford Coppola or Douglas Sirk in America or even
Heiner Muller and Alberto Moravia;
- 參考：German Cinema: A Selected Bibliography http://www.lib.berkeley.edu/MRC/Germanfilmbib.html
第三週： 3/15
Ways of Seeing and the Episteme
主題：看的方法與認識型
- 1. 傅柯，《詞與物》（上海三聯書局 2001），前言，第八章，第九章，第十章; Michel Foucault,
“Preface,” “Labor, Life, Language,” “Man and His Double,”
“The Human Sciences,” The Order of Things: An Archaeology
of the Human Sciences (1971). New York: Vintage Books,
1973. xv-xxiv, 250-387.
延伸閱讀：
- 2. Leon Battista Alberti, On Painting (1435),
Trans. by John R. Spencer. New Haven: Yale UP, 1966. pp.
63-98.
- 3. Foucault, “The Eye of Power,” Power/Knowledge:
Selected Interviews & Other Writings 1972-1977,
ed. Colin Gordon. New York: Pantheon Books, 1980. pp. 146-165.
第四週：3/22
The Regime of the Visible
主題：可見性的治域
- 1. Ranciere, Jacques. The Politics of Aesthetics.
(Le Partage du sensible: Esthetique et politique) (2000)
London & New York: Continuum, 2004. 1-30.
- 2. Ranciere, Jacques. “The Rationality of a Hatred,” Hatred
of Democracy (2005), London & New York: Verso,
2006. 71-97.
延伸閱讀：
- 3. Fanon, Black Skin, White Masks, 《黑皮膚，白面具》心靈工坊（自行購買）導論，第一、四章
第五週： 3/29
The Gaze and the Power
主題：觀看/視線/凝視/權力
- 1. Jacques Lacan, "Of the Gaze as Objet Petit a," in The
Four Fundamental Concepts of Psychoanalysis (1973),
New York & London: W.W. Norton & Company, 1981.
67-119.
延伸閱讀：
- 2. Slavoj Zizek, “In His Bold Gaze My Ruin Is Writ Large,”
Everything You Always Wanted to Know about Lacan
(But Were Afraid to Ask Hichcock), UK:Verso,1996, pp.211-272.
第六週：4/5
Image and the Symbolic Exchange
主題：影像與象徵交換
- 1. Jean Baudrillard, “The Extermination of the Name of
God,” Death and Symbolic Exchange (1976), London:
SAGE Publications, 1993. pp. 195-242.
- 2. Jean Baudrillard, “The Trompe-l'Oeil” (1977), in
Calligram: Essays in New Art History from France, ed.
Norman Bryson. Cambridge University Press, 1988. 53-62.
延伸閱讀：
- 3. Jean Baudrillard, “Political Economy and Death,” Death
and Symbolic Exchange (1976), London: SAGE Publications,
1993. pp. 125-194.
第七週：4/12 春假（與4/5對調）
第八週：4/19
Memory—Archive—Writing—Performance
主題：記憶、檔案、書寫
- 1. Jacques Derrida, “To Speculate—on ‘Freud’” from The
Post Card (La Carte postale, 1980), in A Derrida Reader:
Between the Blinds, New York: Columbia University Press,
1991. 516-568.
- 2. Jacques Derrida, Archive Fever: A Freudian Impression
(1995), Chicago & London: The University of Chicago
Press. 1998.
第九週：4/26（調課）
Image—appearance—masked imagination—freedom
主題：形象─出現─想像的偽裝─自由
- 1. Jean-Luc Nancy, “The Image--the Distinct,” The
Ground of the Image (2003), New York: Fordham University
Press, 2005, pp. 1-14.
- 2. Jean-Luc Nancy, “Masked Imagination,” The Ground
of the Image (New York: Fordham University Press, 2005),
pp. 80-99.
延伸閱讀：
- 3. Jean-Luc Nancy, “The Space Left Free by Heidegger,”
“Freedom as Thing, Force, and Gaze,” The Experience
of Freedom (L’Experience de la liberte, 1988). Stanford,
California: Stanford University Press, 1993. 33-43, 96-105.
第十週： 5/3
Art, Truth and Dasein
主題：藝術、真理、此在
- 1. 海德格，〈論真理的本質〉 (1930)、〈藝術作品的本源〉(1935-36)、〈藝術與空間〉(1969)，孫周興翻譯，《海德格爾選集》（上海三聯書店），213-236,
237-308, 481-488
- 2. Giorgio Agamben, “*Se: Hegel’s Absolute and Heidegger’s
Ereignis” (1982), “The Passion of Facticity” (1988), Potentiality:
Collected Essays in Philosophy. Stanford, California:
Stanford University Press, 1999. 116-137, 185-204.
延伸閱讀：
- 3. Alain Badiou, “Being and Appearance,” “Notes toward
a Thinking of Appearance,” Theoretical Writings.
Ed. Ray Brassier and Alberto Toscano. London & New York:
Continuum, 2004. 163-176, 177-188.
Part II 視覺文本：歷史記憶、書寫、表演、視覺批判
第十一週： 5/10
Documentary, what has been documented? What has been
revealed?
主題：紀錄片──記錄了什麼？揭露了什麼？
- 1. Cathy Caruth, “The Wound and the Voice,” “Traumatic
Awakings: Freud, Lacan, and the Ethics of Memory,” Unclaimed
Experience: Trauma, Narrative, and History. The Johns
Hopkins University Press, 1996. 1-9, 91-112, (notes, 113-117,
139-146)
- 2. Dominick LaCapra, Writing History, Writing Trauma,
The Johns Hopkins University Press, 2001. 1-42, 43-85, 181-219
- 作品: Marcel Ophuls, The Sorrow and the Pity (1972);
or Alain Resnais, Night and Fog (1955); Claude
Lanzmann, Shaoh (1985)
延伸閱讀：
- 3. Jenny Edkins, Trauma and the Memory of Politics, Cambridge:
Cambridge University Press, 2003.
- 4. Barbie Zelizer, Visual Culture and the Holocaust, Rutgers
University Press, 2000.
- 5. Atom Egoyan’s Ararat (A級控訴)
- 6. Zygmunt Bauman, 《現代性與大屠殺》，南京：譯林出版社，2002
第十二週： 5/17
Photography, photo-writing
主題：攝影─攝影書寫
- 1. Graig Owens, “Photography en abyme,” Beyond Recognition
Representation,Power and Culture, LA: California Press.
- 2. Marianne Hirsch, Family Frames: photography narrative
and postmemory, Cambridge: Harvard University Press,
2002
- 3. Caroline Alice Wiedmer, The Claims of Memory: Representations
of the Holocaust in Contemporary Germany and France,
Cornell University Press, 1999.
- 作品：關秀惠提供
延伸閱讀：
- 4. Liz Wells, 《攝影學批判導讀》，台北：韋伯文化，2005。
第十三週：5/24
Dramatic performance vs. Japanese Fascist Aesthetic
主題：日本法西斯美學與戰後
- 1. 竹內好(Takeuchi Yoshimi, 1910-1977)。《近代的超克》。〈大東亞戰爭與吾等的決意〉、第三部、第四部，
Ed. 孫歌. 北京: 三聯, 2005. 頁165-168, 225-357
- 2. 丸山真男。〈現代日本政治的精神狀況〉第1-3節，《現代政治的思想與行動──兼論日本軍國主義》。林明德譯。臺北市：聯經，1984。頁1-98
- �� 作品: 三島由紀夫與寺山修司─身毒丸フ,, 上海異人娼館チャイナ・ドール,
さらば箱舟. 金閣寺，天人五衰
- �� 特別活動：寺山修司作品演出（劉亮延負責）
延伸閱讀：
- 3. 藤田正勝. 〈「場所」來自根本處的思索〉，成中英主編 ; 韓東育執行主編：《本體的解構與重建-對日本思想史的新詮釋》上海
: 上海社會科學院出版社, 2005[民94] 。頁331-46.
- 4. Davis, Bret. 〈西谷啟治的退步思想-通過虛無至絕對的此岸〉 Trans. 吳光輝. 成中英主編
; 韓東育執行主編：《本體的解構與重建-對日本思想史的新詮釋》上海 : 上海社會科學院出版社, 2005[民94]
。347-364.
- 5. 王前. 〈丸山真男的思想世界〉，成中英主編 ; 韓東育執行主編：《本體的解構與重建-對日本思想史的新詮釋》上海
: 上海社會科學院出版社, 2005[民94] 。頁364-383.
- 6. 孫歌。《亞洲意味著什麼》。台北：巨流出版社，2002.
第十四週： 5/31
Cultural Revolution and Cultural Memories
主題：文化革命與民族形象文革記憶
- 1. Alain Badiou, “Politics as Truth Procedure, Theoretical
Writings. Ed. Ray Brassier and Alberto Toscano. London
& New York: Continuum, 2004. 153-160.
- 2. 作品：歡迎推薦
第十五週： 6/7
Civil War, 228, the White Terror
主題：內戰記憶、二二八經驗、白色恐怖
- 1. 【從影像反思白色恐怖的記憶政治】座談會紀錄，《誰的悲情誰的歌？從影像二二八的記憶政治》、《從影像反思白色恐怖的記憶政治》，台灣社會研究季刊，第六十一期，2006,
3月。頁205-294。
- �� 作品：歡迎推薦
第十六週： 6/14大眾文化的視覺批判：歌仔戲（歡迎設計）
第十七週： 6/21期末報告座談
第十八週： 6/29 期末報告座談
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