課 程 進 度 表
Course
Calendar
Week 1 (9/20):導論
──什麼是我們當代的問題?我們如何意識到這些問題?這些問題是如何被構成的?藝術作品如何回應這些問題?我們如何分析這些問題?
──什麼是視覺文化研究的研究方法與分析路徑?透過視覺文化,我們可以思考什麼問題?
──為何不同藝術形式,甚至文學作品或是劇場表演,皆有其視覺性?何謂可見性?如何討論不可見性?
參考資料:
1. 兩本視覺文化研究讀本的目次編排方式:The Visual Culture Reader. Ed. By
Nicholas Mirzoeff. Routledge, 1998; Visual culture: the reader.
Eds. By Jessica Evans and Stuart Hall. Sage, 1999.
2.
Evans, Jessica. & Stuart Hall, “What is Visual Culture,”
Visual culture: the reader. eds. Jessica Evans & Stuart Hall.
London, Thousand Oaks, New Delhi: SAGE publication, 1999. 1-7.
單元 I 感受性共享機制與時代範式
Week 2 (9/27): 感受分享的機制 The
Distribution of the Sensible, the regime of the sensible
閱讀材料:
1. Rancière,
Jacques. “The Distribution of the Sensible,” The Politics of
Aesthetics. (Le Partage du sensible: Esthétique
et politique,
1998) (2000) London & New York: Continuum, 2004. 12-19.
2. Rancière,
Jacques. “Artistic Regimes and the Shortcomings of the Notion of
Modernity,” The Politics of Aesthetics. (Le Partage du
sensible: Esthétique
et politique,
1998) (2000) London & New York: Continuum, 2004. 20-30.
討論材料:吳天章以及其同時代藝術家
Week 3 (10/4):範式與署名痕跡
Paradigm and Signatures
閱讀材料:
1. Agamben, Giorgio. “What Is a Paradigm?” The Signature of
All Things: On Method. Zone Books, 2009. 9-18, 31-32.
2. Agamben, Giorgio. “Theory of Signature,” The Signature of
All Things: On Method. Zone Books, 2009. 33-36, 39-40, 57-64,
76-80.
討論材料:陳界仁、蘇旺伸以及當代性的署名
Week 4 (10/11):影像、構圖與歷史
Image, Sentence, Design and History
閱讀材料:
1. Rancière,
Jacques. “The Future of the Image,” The Future of the Image.
(2003) Verso, 2007. 1-32.
2. Rancière,
Jacques. “Sentence, Image, History,” The Future of the Image.
(2003) Verso, 2007. 33-68.
討論材料:台灣當代展覽舉例──如何描述與分析當代藝術家的不同策略?如何思考策展者與展覽廳的功能?
Week 5 (10/18):設計的表面以及當代性
閱讀材料:
1. Geogio Agamben, “What is the Contemporary?” (qu'est ce que le
contemporain?) Nudity. Stanford University Press, 2011.
10-19.
2. Rancière,
Jacques. “Painting in the Text,” The Future of the Image.
(2003) Verso, 2007. 69-90.
3. Rancière,
Jacques. “The Surface of Design,” The Future of the Image.
(2003) Verso, 2007. 91-108.
討論材料:艾未未以及中國當代展覽舉例──如何描述與分析當代藝術家的不同策略?如何思考策展者與展覽廳的功能?
單元II 生命與法的辯證張力
Week 6 (10/25):生命的政治化 The politicization of life
閱讀材料:
1. Agamben, Giorgio. “Sacred Life,” “The politicization of
life,” “The Camp as the ‘Nomos’ of the Modern,” “Threshold,” Homo
Sacer: Sovereign Power and Bare Life. (1995) Stanford University
Press, 1998. 81-86, 119-125, 166-180, 181-188.
參考資料:
1. Agamben, Giorgio. State of Exception. (2003)
《例外狀態》,薛熙平譯。麥田,2010.
討論材料:赤裸生命藝術展:Bare Life and Documenta 12 --
http://post.thing.net/node/1137;
http://post.thing.net/taxonomy/term/284
Week 7 (11/1):法與生命
閱讀資料:
1. Agamben, Giorgio. “Form-of-Life,” “What Is a Camp?” (1995)
Means without End: Notes on Politics. University of Minnesota
Press, 2000. 3-14, 37-44.
2. Agamben, Giorgio. “The Praise of Profanation,”
Profanations. (2005) Zone Books, 2007. 73-92.
參考資料:
1. Paul Patton, “Agamben and Foucault on Biopower and
Biopolitics,” Matthew Calarco and Steven DeCaroli. Eds. Giorgio
Agamben: Sovereignty & Life. Stanford, 2007. 203-218.
2. Bruno Gulli, “The Ontology and politics of Exception:
Reflections on the Work of Giogio Agamben,” Matthew Calarco and
Steven DeCaroli. Eds. Giorgio Agamben: Sovereignty & Life.
Stanford, 2007. 219-242.
討論材料:赤裸生命藝術展──台灣與東亞狀況:Bare Life and Documenta 12 --
http://post.thing.net/node/1137;
http://post.thing.net/taxonomy/term/284
Week 8 (11/8):生命形式與佈置 Form-of-Life and the Apparatus
閱讀材料:
1. Agamben, Giorgio. “What Is an Apparatus?” (2006) What Is
an Apparatus? Stanford University Press, 2009. 1-24.
2. Agamben,
Giorgio. “Philosophical Archaeology,” The Signature of All
Things: On Method. Zone Books, 2009. 87-89, 96-111.
參考資料:
1. Steven DeCaroli, “Boundary Stones: Giorgio Agamben and the
Field of Sovereignty,” Matthew Calarco and Steven DeCaroli. Eds.
Giorgio Agamben: Sovereignty & Life. Stanford, 2007. 43-69.
Week 9 (11/15):動物性與生命的能力
閱讀材料:
1. Agamben, Giorgio. “Poverty in World,” “The Open,” “Profound
Boredom,” “World and Earth,” “Animalization,” “Anthropogenesis,
“Between,” “Desoeuvrement,” “Outside of Being,” The Open:
Man and Animal. Stanford University Press, 2004. 49-93.
2. Agamben, Giorgio. “On Potentiality,” Potentialities:
Collected Essays in Philosophy. Stanford University Press,
1999.177-185.
參考資料:
1.
Heidegger, Martin. The Fundamental Concepts of
Metaphysics: World, Finitude, Solitude. Trans. by William
McNeill and Nicholas Walker. Indiana University Press, 1995.
221-248, 252-273.
2. Aristotle. Metaphysics. Book Theta. -- On potentiality
and impotentiality
單元III
生命的潛力,語言的內在分裂與負面空間
Week 10 (11/22):語言的雙義性以及負面空間 the ambivalence and the place of
negativity in language
閱讀材料:
1. Agamben, Giorgio. Language and Death: The Place of
Negativity. (1982) University of Minnesota Press, 1991. -The
Eighth Day “The Voice as original metaphysical articulation between
nature and logos” & Excursus 7, “The Thought of Time” 84-108.
2. Agamben, Giorgio. “The Archive and Testimony,” Remnants of
Auschwitz: The Witness and the Archive. New York: Zone Books,
2002. 137-171.
3. Lelande de la Durantaye. “The Unique and the Unsayable:
Remnants of Auschwitz: The Witness and the Archive. Homo Sacer III,”
Giorgio Agamben: A Critical Introduction. Stanford University
Press, 2009. 247-297.
討論材料:災難後的創傷再現
Week 11 (11/29):
停課,改為個別討論或是小組討論;繳交作業:論點大綱與二手書目文獻回顧(一千字)
Week 12 (12/6):可說與不可說,可見與不可見
閱讀材料:
1. Rancière,
Jacques. “Are Some Things Unrepresentable?” The Future of the
Image. (2003) Verso, 2007. 109-138.
2. Rancière,
Jacques. “The Monument and Its Confidences; or Deleuze and Art’s
Capacity of ‘Resistance’”, Dissensus: On Politics and Aesthetics.
London & New York: Continuum, 2010. 169-183.
討論材料:災難後的創傷再現
單元IV 美學的政治性
Week 13 (12/13):文學、美學與政治性
閱讀材料:
1. Rancière,
Jacques. “Aesthetics as Politics,” Aesthetics and Its Discontents.
(2004) Polity Press, 2009. 19-44.
2. Rancière,
Jacques. “The Politics of Literature,” The Politics of
Literature. (2006) Polity Press, 2011. 3-30.
討論材料:同學提供
Week 14 (12/20):解放美學 Emancipation
閱讀材料:
1. Rancière,
Jacques. “The Emancipated Spectator,” The Emancipated Spectator.
(2008) Verso, 2009. 1-24.
2. Rancière,
Jacques. “Aesthetic Separation, Aesthetic Community,” The
Emancipated Spectator. (2008) Verso, 2009. 51-82.
討論材料:同學提供
Week 15 (12/27):自然-法-主權-潛力 Physis, Nomos, Sovereignty, Potentiality
閱讀材料:
1. Claire Colebrook, “Agamben: Aesthetics, Potentiality, and
Life,” Alison Ross. Ed. The Agamben Effect. The South
Atlantic Quarterly. 107:1 (Winter 2008). 107-120.
2. Antonio Negri, “Giorgio Agamben: The Discreet Taste of the
Dialectic,” Matthew Calarco and Steven DeCaroli. Eds. Giorgio
Agamben: Sovereignty & Life. Stanford, 2007. 109-125.
3. Lelande de la Durantaye. “Introduction: The Idea of
Potentiality,” “Conclusion: the Idea of the Work,” Giorgio
Agamben: A Critical Introduction. Stanford University Press,
2009. 1-25, 383-390.
綜合討論
單元V 美學政治計劃發展:生命形式與法的問題
Week 16 (1/3):美學政治:生命形式與法的問題:計劃 I
Week 17 (1/10):美學政治:生命形式與法的問題:計劃II
Week 18 (1/17):美學政治:生命形式與法的問題:計劃 III
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