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Course Calendar
²Ä¤@¶g¡G9/16 ¾É½×
²Ä¤G¶g¡G9/23 µøıijÃDI¡Gªk¹A¡BºØ±Ú°ÝÃD»P´Þ¥Á°ÝÃD
- Fanon, Black Skin, White Masks, ¡m¶Â¥Ö½§¡A¥Õ±¨ã¡n¤ßÆF¤u§{¡]¦Û¦æÁʶR¡^¾É½×¡A²Ä¤@¡B¥|¡B¤»¡B¤C³¹¢w¢w¶Â¤H©M»y¨¥¡B©Ò¿×³Q´Þ¥ÁªÌªº¨Ì¿à±¡µ²¡B¶Â¤H»Pºë¯«¯f²z¾Ç¡B¶Â¤H©M©Ó¿Õ¡C
- Homi K. Bhabha, ¡§The other question: the stereotype and colonial
discourse,¡¨ visual culture: the reader. Ed. By Jessica evans
and stuart hall, London: Sage Publications, 1999. 370-378.
²Ä¤T¶g¡G 9/30 µøıijÃDII¡G¼v¹³¥@¬É»P©Ê§O¦A²{
- Susan Sontag, ¡§The Image-world,¡¨ visual culture: the reader.
Ed. By Jessica evans and stuart hall, London: Sage Publications,
1999. 80-94.
- ¥H¤U¾Ü¤@¾\Ū¡G
¡E Dick Hebdige, ¡§The bottom line on planet one: squaring up
to The Face,¡¨ visual culture: the reader. Ed. By Jessica evans
and stuart hall, London: Sage Publications, 1999. 99-137.
¡E Thomas Waugh, ¡§The Third Body: Patterns in the Construction
of the Subject in Gay Male Narrative Film,¡¨ Visual Culture Reader,
ed. By Nicholas MIrzoeff, 431-447
¡E Reina Lewis, ¡§Looking Good: The Lesbian Gaze and Fashion Imagery,¡¨
Visual Culture Reader, ed. By Nicholas MIrzoeff, pp. 463-480.
²Ä¥|¶g¡G10/7 §B©Ô¹Ï(Plato)»PµøıÀu¦ì
²Ä¤¶g¡G 10/14 ³zµøªk»P±Ò»XªºÅGÃÒ¡Gªüº¸§B´£(Alberti)¡B²Ã¥dº¸(Descartes)
- Decartes, Discourse on Method, Optics, Geometry and Meterology,
http://www.mala.bc.ca/~johnstoi/descartes/descartes1.htm, ¤¤Ä¶¥»¡G±´¨D¯u²zªº«ü¾Éì«h¡]°Ó°È¡^ƒÜ
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- ¡E Leon Battista Alberti, On Painting, pp. 63-98.
- ±Ð¾Ç§ë¼v¤ù¡GPPTÀÉ
²Ä¤»¶g¡G10/21 ¶Â®æº¸(Hegel) ¤§¦Û§Ú·NÃÑ
- Hegel , The Phenomenology of Mind (1807) ¢w¢w¾É½×¡F·NÃÑ¡F¦Û§Ú·NÃÑ¡F¤¤Ä¶¥»¡A¶PÅïĶ¡A¥_¨Ê¡G°Ó°È¦L®ÑÀ]¡A¤W¨÷¡A
51-153;
- Hegel , The Phenomenology of Mind (1807) ¢w¢w¡uµ´¹ïª¾ÃÑ¡v¡A¤¤Ä¶¥»¡A¶PÅïĶ¡A¥_¨Ê¡G°Ó°È¦L®ÑÀ]¡A¤U¨÷¡A
258-276¡C
- ±Ð¾Ç§ë¼v¤ùI¡GPPTÀÉ
- ±Ð¾Ç§ë¼v¤ùII¡GPPTÀÉ
²Ä¤C¶g¡G10/28 ¬f®æ´Ë(Bergson)»P¤Ú©§¥ì(Bataille)
- Bergson, Matter and Memory, ¤¤¤åª©¡AChap. 1, 4.
- Bataille, ¡§The Solar Anus,¡¨ ¡§Eye,¡¨ ¡§Formless, ¡¨ ¡§Base Materialism
and Gnosticism,¡¨ ¡§Rotten Sun,¡¨ ¡§The Pineal Eye,¡¨ in Visions
of Excess, pp. 5-9, 17-19, 31, 45-52, 57-58,
- Bataille, W.C. Preface to Story of the Eye,¡¨ in Story of the
Eye, pp. 97-101.
°Ñ¦Ò¾\Ū¡G
- Barthes, ¡§The Metaphor of the Eye,¡¨ in Barthes, Critical
Essays. pp. 239-247.
- ±Ð¾Ç§ë¼v¤ù¡GPPTÀÉ
²Ä¤K¶g¡G11/4 ¦L¶H¬£¡B¶H¼x¬£¡B¶W²{¹ê¥D¸q
- Martin Jay, Downcast Eyes, ¦L¶H¬£¡Gpp. 149-170
- Martin Jay, Downcast Eyes, ¶H¼x¬£¡Gpp. 171-186
- Martin Jay, Downcast Eyes, ¶W²{¹ê¥D¸q¡Gpp. 236-262
²Ä¤E¶g¡G11/11 pµeÂú§Î³ø§i
²Ä¤Q¶g¡G 11/18 ©Ô©£(Lacan)¡Bªü¹Ï¶ë(Althusser)¡B¼¤±æ¥LªÌ»P¥LªÌ¤§¼¤±æ
- Lacan, ¡§The Split between The Eye and the Gaze,¡¨ ¡§Anamorphosis,¡¨
Four Fundamental Concepts of Psychoanalysis, pp. 67-78, 79-90
- Althusser, ¡§Freud and Lacan,¡¨ Lenin and Philosophy and other
essays. New York: Monthly Review Press, pp. 133-150.
°Ñ¦Ò¾\Ū¡G
- Lacan, ¡§The Line and Light,¡¨ ¡§What is a Picture,¡¨ Four Fundamental
Concepts of Psychoanalysis, pp. 91-104, 105-122
- ±Ð¾Ç§ë¼v¤ù¡GPPTÀÉ
- ¤fÀY³ø§i¡GPPTÀÉ
by ³¯µY´@¡B¹Q©É¥
²Ä¤Q¤@¶g¡G 11/25 ³Å¬_(Foucault)¡Bª¾ÃÑÅé¨t»PÅv¤O
- Foucault, Birth of the Clinic, ¡mÁ{§ÉÂå¾Çªº½Ï¥Í¡n²Ä1¡B2¡B3¡B4¡B7¡B8¡B9³¹
°Ñ¦Ò¾\Ū¡G
- Foucault, ¡§The Eye of Power,¡¨ Interview, pp.
²Ä¤Q¤G¶g¡G 12/2 ¼w³Õ(Guy Debord)»P©_Æ[ªÀ·|
- Debord, ¡§Separation Perfected,¡¨ ¡§The Commodity as Spectacle,¡¨
¡§Unity and Division Within Appearances,¡¨ Society of the Spectacle,
pp. 11-46.
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- Debord©Ò°Q½×ªº¹Ï¤ù¡A¥]¬ADuchamp, Lautreamont, Dada photomontages
- Debord ªº¦´Á¼v¤ù
- Cocteau and Genet¡¦s film, Un chant d¡¦amour
²Ä¤Q¤T¶g¡G12/9 ¤Ú¯S(Barthes) »P¡§dioptric
arts¡¨
- ƒÜ Barthes, ¡§The Photographic Message,¡¨ ¡§Is Painting a Language,¡¨
¡§¡¨Right in the Eyes,¡¨ ¡§The Grain of the Voice,¡¨ ¡§Music, Voice,
Language,¡¨ The Responsibility of Forms, pp. 3-20, 149-152, 237-244,
267-277, 278-285.
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- Barthes, Camera Lucida, ¡m©ú«Ç¡GÄá¼v¥¾°O¡n¡]¦Û¦æÁʶR¡^
- Barthesµe§@¡ABarthes ©Ò°Q½×¤§·Ó¤ù¡B¹Ï¤ù
- ¤fÀY³ø§i¡GPPTÀÉ
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²Ä¤Q¥|¶g¡G 12/16 ¼w§Æ¹F(Derrida)»P¥h¶§¨ã²zÅ餤¤ß
- Derrida, ¡§Speech and Phenomenon,¡¨ Derrida Reader, Columbia
University Press, 1991. 6-30.
°Ñ¦Ò¾\Ū¡G
- Derrida, ¡§Violence and Metaphysics,¡¨ ¡§Structure, Sign and
Play in the Discourse of the Human Sciences,¡¨ Writing and Difference,
pp. ¡F¡m®Ñ¼g»P®t²§¡n¤W128-276
²Ä¤Q¤¶g¡G 12/23 ¨Ì§Æ¨Î¶Â(Irigaray)»P³±©Ê®Ñ¼g
- Irigaray, ¡§The Looking Glass, from the Other Side,¡¨ ¡§This
Sex Which Is Not One,¡¨ This Sex Which Is Not One, pp. 9-22,
23-33.
²Ä¤Q¤»¶g¡G 12/30 §J²úµ·¸¦«½(Kristeva)¡B¤Û·Q»P¥DÅé©Ê
- Freud, Interpretation of Dreams,¡m¹Úªº¸ÑªR¡n chap. 7.
- Kristeva, "Fantasy and Cinema" in Intimate Revolt:
The Powers and Limits of Psychoanalysis, 63-80
²Ä¤Q¤C¶g¡G 1/6 ¦Cºû¯Ç´µ(Levinas)¡B§õ¼Ú¶ð(Lyotard)»P¥LªÌ°ÝÃD
- Levinas, ¡§Time and the Other,¡¨ The Levinas Reader, pp.37-58.
- Lyotard, ¡§Anamnesis of the Visible, or Candour,¡¨ The Lyotard
Reader, pp. 220-239.
²Ä¤Q¤K¶g¡G 1/13 ´Á¥½¤fÀY³ø§i®y½Í |