超現實主義在二十世紀現代繪畫中的表現風格--夢魘般的神祕氣氛
Paul Delvaux, "Pink Bows", 1937
「粉紅色的蝴蝶結」("Pink Bows") 這幅畫中， 有幽暗的夜色， 寧靜的遠山， 古典的建築， 行走中面無表情的裸女， 這種奇異的組合 給觀者 一種神秘空間的 如夢氣氛。
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Delvaux, "Pink Bows"
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name: 英四 林欣怡 482200202 comment: Delvaux, "Pink Bows" 乍看之下,這幅畫與文藝復興繪畫傳統有點相似: 人物置於古典建築 中, 建築的描繪相當符合科學性的透視原則. 但吊詭的是在廣大的廣 場中竟僅有三名女性,令人不禁生 出許多疑問:其他的人到那去了? 為何這些女性未著衣物? 具大的蝴蝶結又代表什麼?吊詭的氣氛, 不 合理的組合, 一連串的疑問讓人有置身夢境之感 name: Tina English 483200510 comment: Delvaux, "Pink Bows" I was very fond of his style of surrealistic expression The distant and yet contextual atmosphere constituted by classical architectures and the landscape help to compose a very regular and rational geometric arrangement, but the mysticism stays alive among the clutter of different groups of women or houses. The pink bow covering the breast of the central woman symbolizes the tender, feminine characteristic, and at the same time the wrapping of gifts or hiding of the secret succeed to form a focus of the subjet. The hooded woman on the left side of the road a bit farther than the nude one on the right marks a beginning of a process: a wholly covered woman (may also suggest nuns or Virgin Mary. The woman on the right side of the road then is the one that has emancipated herself with the pink bow thrown on the ground. name: 英四 林欣怡482200202 comment: Delvaux, "Pink Bows" 乍看之下,這幅畫與文藝復興繪畫 的風格很類似:帶古典氣息的建築物, 背景遠處的山坡及符合科學原則的透視及古典的技法的均與文藝復興 傳統相似.但這樣古典氣息的背景卻與一連串不可思議的謎組合在一起: 偌大的廣 場卻僅有三名女性,令人不禁疑惑平日應有的喧鬧景象. 人群 都到那裡了?更令人訝異的是三名女性形像是以裸 女姿態出現.種種不 合常理的安排令人彷置身夢境 name: 哲三雙修生 周遠渝 483032339 comment: Delvaux, "Pink Bows" 4/28 1997 這幅畫每一元素都是傳統的,除了錯置的空間之外.問題是:她們為何在 此?山後的天與中央大道均為黑色;其他景物則能是濃淡不一的土綠色 --一切顯得死氣沈沈,左手邊的女子頭披垂地長紗, 行走之間最有魅態: 與背景最融合--有一制的鬼界感. 前面的兩個女子開始帶來生氣:她們 裸露的肌膚的明亮色澤驅除了背景的一片陰霾,她們的體態姿態也具 自然的活力午(右手邊女子尤佳--她身上一為物不置,腳畔整齊地橫躺著 粉紅色色的蝴蝶結)中間的女子最美,但上身卻有一件不敝體但很好看的 累贅.這贅物也像個色紅蝴蝶結,讓這位女子看起來不自然,但是很端莊, 為眾人矚目的焦點. 這畫中每一個女子都裸露下半身,似乎在畫家心中 這是女性的普遍特質. name: Junior June 483200704 April 27, 1997 comment: Delvaux, "Pink Bows" I like this painting because it show the carefree life of women. They lived closely with the nature, surrounded by the antiquity of the architecture. They don't even have to be suffocated by the traditional clothing or even the jewelries to allure their physical attaction. All they need is a piece of cloth to wrap around their bare breast. Nonetheless, the painting also presents the shabby appearance of women in the society--they seems to serve like a gift for men to choose upon, as they were tied up with a ribbon and walking on a carpet to present their beauty to man.
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超現實主義在二十世紀現代繪畫中的表現風格
