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  1. Abel, Richard. "Exploring the Discursive Field of the Surrealist Scenario Text" in Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 58-71.
  2. _____. French Cinema: The First Wave, 1915-1929. Princeton: Princeton University Press, 1984.
  3. Ades, Dawn. Dada and Surrealism. Woodbury, New York: Barron's, 1978.
  4. Artaud, Antonin. Oeuvres complŠtes. Vol. 3. Pairs: Gallimard, 1978.
  5. _____. "La Coquille et le clergyman [Scenario]." Oeuvres complŠtes. 3: 71-72.
  6. _____. "Deux nations sur les confins de la Mongolie [Scenarioi]." Oeuvres complŠtes. 3: 14-17.
  7. _____. "Les Dix-huit secondes [Scenarioi]." Oeuvres complŠtes. 3: 9-13.
  8. _____. "Le MaŒtre de Ballantrae [Scenarioi]." Oeuvres complŠtes. 3: 46-53.
  9. _____. "La Revolte du boucher [Scenarioi]." Oeuvres complŠtes. 3: 54-59.
  10. _____. "Les 32 [Scenarioi]." Oeuvres complŠtes. 3: 31-43.
  11. _____. "Vols [Scenarioi]." Oeuvres complŠtes. 3: 26-30.
  12. Bunel, Lius, and Salvador Dali. L'Age d'or and Un Chien andalou: Films by Lius Bunel. New York: Simon and Schuster, 1968.
  13. _____. L'Age d'or [Scenarioi]." L'Occhio tagliato, ed. Gianni Rondolino. Turin: Martano, 1972. 222-51.
  14. _____. "La Duchesse d'Aloe et Goya [Scenarioi]." Positif 272(1983): 15.
  15. _____. "Las Hurdes (Terre sans pain) [Scenarioi]." L'Occhio tagliato, ed. Gianni Rondolino. Turin: Martano, 1972. 251-60.
  16. _____. "Ilegible, Son of Flauta [Scenarioi]." In Aranda, Luis Bunel: A Critical Biography. 285-87.
  17. _____. "Un Chien andalou [Scenarioi]." La R‚volution surr‚aliste 12(1929):34-37; rpt. in
  18. L'Occhio tagliato, ed. Gianni Rondolino. Turin: Martano, 1972. 210-22; rpt. in *a 2.5-6 (1975): 3-8.
  19. Clair, Ren*. "Entr'acte [Scenarioi]." In L'Occhio tagliato, ed. Gianni Rondolino. Turin: Martano, 1972. 167-74.
  20. _____. "* Nous La Libert*," and "Entr'acte": Films by Ren* Clair. Trans. Richard Jacques and
  21. Nicola Hayden. New York: Simon and Schuster, 1970.
  22. Cocteau, Jean. Two Screenplays: The Blood of a Poet; The Testament of Orpheus. New York: Orion Press, 1968.
  23. Cornell, Joseph. "M. Phot [Scenario]." in Julien Levy, Surrealism. New York: Black Sun Press, 1936. 77-88.
  24. _____. "Theatre of Hans Christian Andersen [Scenario]." Dance Index 4.9 )1945): 155-59.
  25. Curtis, David. Ezperimental Cinema. New York: Universe Books, 1971.
  26. Dali, Salvador. "Babaouo [Scenario]." Cin‚mage 9 919580: 19-28.
  27. _____. L'Age d'or and Un Chien andalou: Films by Lius Bu¤uel. New York: Simon and Schuster, 1968.
  28. Desnos, Robert. Cin‚ma. Ed. Andr* Tchernia. Paris: Gallimard, 1966 [scenarios and texts on cinema].
  29. _____. "La Part des lionnes [scenario]." Les Cahiers de la cin‚mathŠque 30-31 (1980): 88-90.
  30. Duchamp, Marcel. Salt Seller: The Writings of Marcel Duchamp. Ed. Michel Sanouillet and Elmer Peterson. New York: Oxford Univ. Press, 1973.
  31. Dulac, Germaine. "Visual and Anti-Visual Films." in The Avant-Garde Film. Ed. P. Adams Sitney. New York: New York Univ. Press, 1978. 31-35.
  32. Dwoskin, Stephen. Film Is: The International Free Cinema. Woodstock, N.Y.: Overlook, 1975.
  33. Faur*, Elie. The Art of Cineplastics. Boston: Four Seas Press, 1923.
  34. Film as Film: Formal Experment in Film, 1910-1975. London: Arts Council of Great Britain, 1979 [Exhibition catalog].
  35. Flitterman-Lewis, Sandy. "The Image and the Spark: Dulac and Artaud Reviewed" Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 110-127.
  36. Gould, Michael. Surrealism and the Cinema. Cranbury, N.J.: A. S. Barnes, 1976.
  37. Hammond, Paul. ed. The Shadow and its Shadow: Surrealist Writings on Cinema. London: British Film Institute, 1978.
  38. Hedges, Inez. Languages of Revolt: Dada and Surrealist Literature and Film. Durham, N.C.:,Duke University Press, 1983.
  39. Kov cs, Steven. From Enchantment to Rage: The Story of Surrealist Cinema. Rutherford, N.J.: Fairleigh Dickinson University Press, 1980.
  40. Kuenzli, Rudolf E. Dada and Surrealist Film. New York: Willis Locker & Owens, 1987.
  41. Kuenzli, Rudolf E. "Introduction" in Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 1-212.
  42. Kyrou, Ado. Amour-Erotisme et cin‚ma. rev. ed. Paris: Eric Losfeld, 1966.
  43. Kyrou, Ado. Le Surr‚alisme au cin‚ma. rev. ed. Paris: Le Terrain Vague, 1961.
  44. Lawder, Standish D. The Cubist Cinema. New York: New York University Press, 1975.
  45. Le Grice, Malcom. Abstract Film and Beyond. Cambridge: MIT Press, 1977.
  46. L‚ger, Fernand. Functions of Painting. Trans. Alexandra Anderson. New York: Viking, 1973.
  47. L‚ger, Fernand. "Ballet m‚canique [film]." in Internationale Ausstellung Neuer Theatertechnik. Vienna, 1924 [exhibition catalog].
  48. Levy, Julien. Surrealism. New York: The Black Sun Press, 1936 [contains scenario for Un Chien andalou, synopsis of L'Age d'or, text of Monsieur Phot (Joseph Cornell), and a fragment of Baboauo (Dali)].
  49. Liebman, Stuart. "šn Chien andalou: The Talking Cure" Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 143-158.
  50. Manvell, Roger, ed. Experiment in the Film. London: Grey Walls Press, 1949.
  51. Matthews, J.H. Languages of Surrealism. Columbia: University of Missouri Press, 1986.
  52. _____. Surrealism and American Feature Films. Boston: Twayne, 1979.
  53. _____. Surrealism and Film. Ann Arbor: University of Michigan Press, 1971.
  54. Mirty, Jean. Le Cin‚ma experimental: histoire et perspectives. Paris: Seghers, 1974.
  55. Moholy-Nagy, Laszlo. "Dynamique d'une m‚tropole" [scenario]. MA 1924. Rpt. in Action Po‚tique 49 (1972): 50-55.
  56. _____. Painting, Photography, Film. Trans. J. Seligman. Cambridge: MIT Press. 1969.
  57. Polan, Dana Bart. The Political Language of Film and the Avant-Garde. Ann Arbor: UMI Research
  58. Press, 1985.
  59. Ray, Man. Self Portrait. Boston: Little, Brown, 1963.
  60. Sitney, P. Adams, ed. The Avant-Garde Film. New York: New York University Press, 1978.
  61. _____. Visionary Film: The American Avant-Garde. New York: Oxford University Press, 1974.
  62. Soupault, Philippe. "Five Cinema POems." Trans. Serge Gavronsky. Film Culture 67-69 (1979): 236-37.
  63. _____. "Rage' and Glory' [cinematic poems, 1925]." In The Shadow and Its Shadow. Ed. Paul
  64. Hammond. London: British Film Institute, 1978. 70.
  65. Stauffacher, Frank, ed. Art in Cinema. A Symposium on the Avantgarde Film. San Francisco: San Francisco Museum of Art, 1947.
  66. Stern, Seymour, and Lewis Jacobs, eds. Experimental Cinema, 1930-34: Nos. 1-5. Rpt. New York: Arno, n.e.
  67. Taylor, John Russel. Cinema Eye, Cinema Ear. London: Methuen, 1964.
    Turim, Maureen. Abstraction in Avant-Garde Films. Ann Arbor: UMI Research Press, 1985.
  68. Tyler, Parker. The Underground Film: A Critical History. New York: Grove, 1969.
  69. Virmaux, Alain and Odette. Les Surr‚alistes et le cin‚ma. Paris: Seghers, 1976.
  70. Vogel, Amos. Film as a Subversive Art. New York: Random, 1974.
  71. Weiss, Allen. "Between the Sign of the Scorpion and the Sign of the Cross: A'Age d'or" Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 159-175.
  72. Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Berkeley, Los Angeles, Oxford: University of California Press, 1981.
  73. Williams, Linda. "The Critical Grasp: Bu¤uelian Cinema and Its Critics" Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 199-206.
  74. Wills, David. "Slit Screen" in Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. pp. 86-98.