超現實主義在二十世紀現代繪畫中的表現風格
Lenor Fini
"Spbinx Regina", 1946
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Fini, "Spbinx Regina"
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name: Tina English 483200510 comment: Fini, "Spbinx Regina" Unlike other male painter of botanical sceneries,the decaying leaves on the soil with the textual details, the painter has her own perspective in dealing with the natural beauty or observation. The twirling lines of the leaf seems to imprint itself on it without artificiality. The leaf then has its own life, which may not be the actual life that we see in nature, but one that exists independently in the painter's world. That is total autonomy. name: English Dept. 482200109, Beatrice comment: Fini, "Spbinx Regina" 97'4,24, 一片荒煙蔓草間, 一塊白骨陳屍 其間,與其後富有生命力的 野草形成生與死的強烈對比.一絲死亡的 詭異氣氛瀰漫於觀 者身旁,讓人不寒而慄.白骨更使人感到自然的殘酷, 一個生命 的消逝似乎只和他自己有關,外在的環境對此似乎默不關心, 仍然不停地運轉,而人死了是否也是如此? 就像Emily Dickinson 提出疑問,人的生命就是這樣嗎? 這是對天對地 的吶喊,更是對自己的 質問. Dear Joyce: The name of the painting seems to be spelled wrong, "Spbinx" should be "Sphinx."
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超現實主義在二十世紀現代繪畫中的表現風格
