Neither Legends nor Figures

超現實主義在二十世紀現代繪畫中的表現風格--荒原景觀

Yves Tanguy, "Neither Legends nor Figures"
(Legendes ni figures), (1930), 321/8 x 255/8"
Menil Collection, Houston

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name: 比較文學研究所博士班一年級楊如英 
 comment: Tanguy, "Neither Legends nor Figures"
    本畫以冷色調描繪超乎現實的荒蕪景觀，以俯視角度展現壓迫感。
 這幅名為「既非神話亦非人物」的畫作，卻以荒原景觀為主。
 畫題與畫作本身互為指涉，所造成的衝突與不協調，或許正是畫家
 有意提醒觀者「意在畫外」──超現實主義畫作雖以荒原為景，
 畫家的關切點卻不僅於此，背後仍有畫家對於人類文化的關切。

name: Senior, Jean Ding, 482200812 
 comment: Tanguy, "Neither Legends nor Figures" 
 March 24, 1997 
    It looks likes a top of a dry mountain
 without any grass and trees, nor animals.
 There are merely some pieces of "clouds"
 with black shadows floating in the sky.
 This is a work hard for me to guess its
 intention. Does "Neither Lengends" reflects
 Yves' feeling boring and uninteresting in
 this world? And it makes me feel dangerous,
 for there are sides of cliffs around this
 mountain. Does Yves wants to tell us that
 it is full of danger while we are walking
 on our life road? And the clouds with black
 shadows seem to me that everything seemingly
 easy usually has its difficult aspect. In one
 word, life is ampty, flat, boring, colorless
 and spiritless. The above is what I perceive
 from this work.

name: 英文三, 高維泓, 483200039 
comment: Tanguy, "Neither Legends nor Figures" March 19, 1997
    我發現超現實主意畫家似乎都很少畫關於
自然美好的圖作,當然這頁許和他們意圖嘲諷工業
文明科技有關,但我相信至應只是企圖的表面.自然
仍因美好可親的.看了這麼多令人或毛骨悚然,或
壓迫氣氛濃的作品,我不禁要問自然其實無罪,
人/畫家除了歌頌或憐憫自己被壓榨受創的心靈,
但千萬不要忘記謂自己找一個適性適情的出口,
我想制裁適強調個人注意的積極意義吧?!
    這幅圖完全沒有綠色系,我相信畫這有其意
欲表達的內容,但其方式或許需要在琢磨.我暫且
不為此吐解說我內心所體認到的意義.只想企圖
表達在“附和“許多冷冰無情作品後,內心的一
種反動.而這幅畫恰巧是個引爆點.

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超現實主義在二十世紀現代繪畫中的表現風格