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| Objectives:
This
course is designed to investigate the discursive mode of modernity
in early 20th century China and Taiwan. We’ll divide the course
into three parts: first, we''ll read theoretical texts on the
phenomena of cultural translation or transmission, as well as
significant texts on Chinese and Taiwanese modernity; second,
we'll discuss selective representative cases, both contemporary
ones and texts from early 20th century, such as literature, cinema,
avant-garde art, popular magazines, cartoon, and so on, and trace
the historical context of the dominant discourses, such as the
concept of organism, progressive historicism, revolution, and
decadence.
Pre-requisite
for foreign students: English and Chinese reading competence.
歡迎對此門課程有興趣的同學以電子郵件與我討論。
電子郵件信箱：JoyceLiu@mail.nctu.edu.tw
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評分標準：
1. 課堂參與，口頭報告，閱讀札記──30％
2. 期中報告──30％
3. 期末報告──40％
作業要求：
1. 隔週上課時繳交1-2頁的閱讀札記，並上網
2. 第八、九週繳交期中報告，八頁，可分兩次（各四頁）繳交，並上網
3. 期末報告：10─15頁
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Course
Calendar
Syllabus：
Week
1 9/17 Introduction
Week
2 9/24 Cultural Translation: Theoretic Inquiries I—Double
Translation of Modernity
- Lydia
H. Liu, "The Question of Meaning Value in the Political
Economy of Signs" in L.Liu, editor, Tokens of Exchange.
The Problem of Translation in Global Circulations. Durham:
Duke U. Press, 1999, 13-44
- Lydia
Liu, “Translating National Character: Lu Xun and Arthur Smith,”
in Translingual Practice: Literature, National Culture, and
Translated Modernity china, 1900-1937. Stanford, California:
Stanford University Press, 1995. 45-76.
- Naoki
Sakai, “Writing for Multiple Audiences and the Heterolingual
Address,” “The Problem of Japanese Thought: The Formation
of ‘Japan’ and the “Schema of Cofiguration" in Translation
and Subjectivity, Minneapolis & London: University of
Minnesota Press, 1997. 1-17, 40-71
- H. D.
Harootunian, “Figuring the Folk: History, Poetics, and Representation,”
in Mirror of Modernity: Invented Traditions of Modern Japan.
Berkeley, Los Angeles, London: University of California Press,
1998. 144-162.
Week
3 10/1 Film: The Time for Dance (Taipei), Modern Times
(Shanghai)
Week
4 10/8 Cultural Translation: Theoretic Inquiries II—Migrations
and Inventions of Sign, Image and Bodies
- Rey
Chow, Primitive Passions,
- Ashis
Nandi, "The Savage Freud. The First-Non-Western Psychoanalyst
and the Politics of Secret Selves in Colonial India.".
In The Savage Freud, New Jersey: Princeton U.P., 1995, 81-144.
- Liz
Constable, Matthew Potolsky, and Dennis Denisoff. “Introduction,”
in Perennial Decay: On the Aesthetics & Politics of Decadence.
University of Pennsylvania Press, 1999. 1-34.
- Molloy,
Sylvia. “The Politics of Posing: Translating Decadence in
Fin-de-Siecle Latin America,” in Perennial Decay: On the
Aesthetics & Politics of Decadence. University of Pennsylvania
Press, 1999. 183-197.
Week
5 10/15 Cultural Translation: Theoretic Inquiries III—Performance
of Meanings and Texts
- Bejamin,
Walter. “the task of translation”
- Derrida,
“Tower of Babel”
- Judith
Butler, “Cultural Translation,” Bodies that Matter
Week
6 10/22 Cultural Translation: Theoretic Inquiries IV—Projects
on website
Report
on projects on website, and present personal project proposal
Week
7 10/29 Modernity and Cultural History I: New Knowledge
from Japan
Week
8 11/5 Film: Sport Queen
Week
9 11/12 Film: Taiwan New Culture Movement
Week
10 11/19 Modernity and Cultural History II: Late Ching
and Modernity
Week
11 11/26 Modernity and Cultural History III: New Culture
Movement and Evolutionist Social Organism
Week
12 12/3 Modernity and Cultural History IV: Revolution,
Utopia, Anarchism
Week
13 12/10 Modernity and Cultural History V: Taiwan Leftist
and Lyu Heruo
Week
14 12/17 Modernity and Cultural History VI: The Origin
of Decadence
Week
15 12/24 Modernity and Cultural History VII: Modern Times—Shanghai,
Taipei
Week
16 12/31 Modernity and Cultural History VIII: New Woman,
Movie Stars and Hollywood
Week
17 1/7 Modernity and Cultural History IX: Taiwan Modern
in the 50's and 60's
Week
18 1/14 Forum
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參考書目：
Reference
Bejamin,
Walter. 〈翻譯者的任務〉the task of translation
Butler, Judith. “Cultural Translation,” Bodies that Matter
Constable, Liz., Matthew Potolsky, and Dennis Denisoff. “Introduction,”
in Perennial Decay: On the Aesthetics & Politics of Decadence.
University of Pennsylvania Press, 1999. 1-34.
Derrida, “Tower of Babel”
Dirlik, Arif. Revolution and History: Origins of Marxist Historiography
in China, 1919-1937
Gluck, Carol. Japan’s Modern Myths: Ideology in the Late Meiji
Period. Princeton, New Jersey: Princeton University Press, 1985.
Harootunian, H. D. “Figuring the Folk: History, Poetics, and
Representation,” in Mirror of Modernity: Invented Traditions
of Modern Japan. Berkeley, Los Angeles, London: University of
California Press, 1998. 144-162.
Harootunian, H. D. Overcome by Modernity: History, Culture, and
Community in Interwar Japan. Princeton and Oxford: Princeton University
Press, 2000.
Liu, Lydia H. "The Question of Meaning Value in the Political
Economy of Signs" in L.Liu, editor, Tokens of Exchange. The
Problem of Translation in Global Circulations. Durham: Duke U.
Press, 1999, 13-44
Liu, Lydia. 劉禾，“The Problem of Language in Cross- cultural
Studies,” “Translating National Character: Lu Xun and Arthur
Smith,” in Translingual Practice: Literature, National Culture,
and Translated Modernity china, 1900-1937. Stanford, California:
Stanford University Press, 1995. 1-44, 45-76; 中譯本：
Molloy, Sylvia. “The Politics of Posing: Translating Decadence
in Fin-de-Siecle Latin America,” in Perennial Decay: On the Aesthetics
& Politics of Decadence. University of Pennsylvania Press,
1999. 183-197.
Nandi, Ashis. "The Savage Freud. The First-Non-Western Psychoanalyst
and the Politics of Secret Selves in Colonial India.". In
The Savage Freud, New Jersey: Princeton U.P., 1995, 81-144.
Nordau, Max. “Fin-de-Siecle” in Degeneration, Lincoln and London
: University of Nebraska Press, 1993. pp. 1-44
Sakai, Naoki. 酒井直樹， “Writing for Multiple Audiences and
the Heterolingual Address,” “The Problem of Japanese Thought"
in Translation and Subjectivity, Minneapolis & London: University
of Minnesota Press, 1997. 1-17, 40-71
Sato, Barbara. The New Japanese Woman: Modernity, Media, and Woman
in Interwar Japan, Durham and London: Duke University Press, 2003.
Vlastos, Stephen. Ed. Mirror of Modernity: Invented Traditions
of Modern Japan. Berkeley, Los Angeles, London: University of
California Press, 1998.
《五四運動與二十世紀的中國》，北京：社會科學文獻出版社，2001.
王汎森。劉師培與清末的無政府主義運動。
王德威《被壓抑的現代性》台北：麥田，2004
王曉秋《近代中日文化交流史》（北京：中華書局2000）,頁311-562
史書美。〈一九三九年的上海女性—從後殖民論述的角度看中國現代女性之「現代性」〉。
呂赫若〈婚約奇譚〉，〈女人心〉，〈春的呢喃〉、〈逃匿者〉，〈玉蘭花〉，〈廟庭〉、〈財子壽〉、〈鄰居〉、〈冬夜〉
呂興忠。臺灣苦旅--日據時期的臺灣無政府主義群像。
李朝津。章太炎的民族主義--中國近代自由民族主義典範形成初探。
李朝津。論清末學術中經學與史學的交替--章太炎民族史學的形成。
李歐梵《上海摩登》（牛津）
周慧玲《表演中國：女明星、表演文化、視覺政治1910-1945》台北：麥田出版，2004.
周蕾，〈作為民族誌的電影；或，後殖民世界中的文化互譯〉，《原初的激情》台北：遠流，2001.頁263-300.
金觀濤。中國革命烏托邦的起源：論道德理想主義演變的邏輯。
施淑。＜書齋、城市與鄉村──日據時代的左翼文學運動及小說中的左翼知識份子＞，＜感覺世界──三○年代台灣另類小說＞，＜日據時代台灣小說中頹廢意識的起源＞。收錄於《兩岸文學論集》，台北：新地出版社，1997。49-83，84-101，102-120。
施蟄存〈四喜子的生意〉、〈春陽〉
柳書琴。跨時代跨語作家的戰後初體驗--龍瑛宗的現代性焦慮(1945-1947)。
洪世昌。臺灣新文化運動的起點與推展之考察。
范燕秋。新醫學在臺灣的實踐(1898-1906)--從後藤新平「國家衛生原理」談起。
馬泰.卡林內斯庫(Matei Calinescu)著《現代性的五副面孔：現代主義、先鋒派、頹廢、媚俗藝朮、后現代主義》 [美]
顧愛彬, 李瑞華譯。北京 商務印書館 2002[民91]。
張愛玲〈封鎖〉、〈花凋〉
陳芳明《台灣左翼》
陳芳明《殖民地摩登：現代性與台灣史觀－文史台灣2》，台北：麥田出版社，2004
黃自進著。<北一輝的革命情結：在中日兩國從事革命的歷程>李朝津。
解志熙著。美的偏至 : 中國現代唯美：頹廢主義文學思潮研究 /上海市 : 上海文藝出版社，1997。
劉小楓。中國無政府主義與現代烏托邦思維。
劉吶鷗〈流〉、〈熱情之骨〉、〈禮儀和衛生〉
鄭玉卿。近代無政府主義的發展、理想訴求及對教育的影響述評。
盧修一《日據時代台灣共產黨史》
穆時英〈Pierrot〉、〈上海的狐步舞〉
龍瑛宗〈植有木瓜樹的小鎮〉，〈午前的懸崖〉，〈不知道的幸福〉，〈蓮霧的庭院〉
顧昕。從「平民主義」到「勞農專政」:五四民粹主義與中國馬克思主義的起源(1919 ~1922年)。
顧昕。無政府主義與中國馬克思主義的起源(上、下)。
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