Meta-cinematic studies and comparative art: Selected Bibliography

Meta-cinematic studies and comparative art
Selected Bibliography

prepared by Joyce C. H. Liu
劉紀蕙
輔仁大學比較文學研究所

Quick Reference

一、基本跨藝術研究理論
二、電影語言理論
三、後設電影研究
四、電影與繪畫
五、文字與繪畫
六、文字與音樂
七、互文理論
八、與繪畫有關的電影舉例
九、後設電影舉例
十、主要導演與相關議題初步研究書目
十一、女性前衛導演與後設電影
十二、特別有關女性主義電影批評理論基本參考書目

一、基本跨藝術研究理論

Barricelli, Jean-Pierre, and Joseph Gibaldi, eds. Inter-relations of Literature. New York: MLA, 1982
Barricelli, Jean-Pierre,and Estella Lauter, eds. Teaching Literature and Other Arts. New York: Modern Language Association of America, 1990.
Hagstrum, Jean. The Sister Arts: The Tradition of Literary Pictorialism in English Poetry from Dryden to Gray Chicago: U of Chicago P, 1958.
Jenks, Chris. Ed. Visual Culture. London & New York: Routledge, 1995.
Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore and London: The Johns Hopkins University Press, 1992.
Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago & London: The University of Chicago Press, 1994.
Weisstein, Ulrich. "The Mutual Illumination of the Arts." Ch. 7 in Weisstein, Comparative Literature and Literary Theory;: Survey and Introduction. Trans. William Riggan. Bloomington: Indiana UP, 1973.
Wellek, Rene. "Literature and the Other Arts." Ch. 11 in Wellek and Austin Warren, Theory of Literature. New York, 1970.

二、電影語言理論

Bonitzer, Pascal. "The Silences of the Voice (A propos of Mai 68 by Gudie Lauaetz)" in Narrative, Apparatus, Ideology: A Film Theory Reader. ed. by Rosen, Philip. New YorK: Columbia University Press, 1986. pp. 319-334.
Deleuze, Gilles. Cinema 1: The Movement-Image. Les Editions de Minuit 1983; Minneapolis: University of Minnesota Press, 1991.
Deleuze, Gilles. Cinema 2: The Time-Image. Les Editions de Minuit 1985; Minneapolis: University of Minnesota Press, 1991.
Heath, Stephen. "Narrative Space." in Narrative, Apparatus, Ideology: A Film Theory Reader. ed. by Rosen, Philip. New YorK: Columbia University Press, 1986. pp. 379-420.
Kuhn, Annette. Women's Pictures: Feminism and Cinema. London, New York: Verso, 1994.
Linderman, Deborah. "Uncoded Images in the Heterogeneous Text." Narrative, Apparatus, Ideology: A Film Theory Reader. ed. by Rosen, Philip. New YorK: Columbia University Press, 1986. pp. 143-152.
Mellencamp, Patricia. Indiscretions: Avant-garde Film, Video, & Feminism. Bloomington and Indianapolis: Indiana University Press, 1990.
Rosen, Philip. "Introduction: Text and Subject" in Narrative, Apparatus, Ideology: A Film Theory Reader. ed. by Rosen, Philip. New YorK: Columbia University Press, 1986. pp. 155-171.
Rosen, Philip. ed. Narrative, Apparatus, Ideology: A Film Theory Reader. New YorK: Columbia University Press, 1986.
Silverman, Kaja. "Suture" in Narrative, Apparatus, Ideology: A Film Theory Reader. ed. by Rosen, Philip. New YorK: Columbia University Press, 1986. pp. 219-235.
Thompson, Kristin. "The Concept of Cinematic Excess" in Narrative, Apparatus, Ideology. ed. Philip Rosen. New York: Columbia University Press, 1986.
Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Berkeley, Los Angeles, Oxford: University of California Press, 1981.

三、後設電影研究

Bidaub, Anne Marie. "hollywood mis en question dans les films des annees soixante et soixante-dix: Fictions, citations, et metacinema. Revue Francaise d'Etudes Americaines 9.19 (1984): 117-29.
Cannon, Steve. "Godard, the Groupe Dziga Vertov and the Myth of 'Counter-Cinema'." Nottingham French Studies 32.1 (1993): 74-83.
Elsaesser, Thomas. "Hyper-, Retro-, or Counter-Cinema: European Cinema and Third Cinema between Hollywood and Art Cinema." Meditating Two Worlds: Cinematic Encounters in the Americas. Ed. John King, Ana M. Lopez, and Manuel Alvarado. London: British Film Inst., 1993. 119-35.
Loshitzky, Yosefa. "The Radical Aspect of Self-Reflexive Cinema." DAI 48.5 (1987): p1041A.
Mamber, Stephen. "In Search of Radical Metacinema. Comedy/Cinema/Theory. Ed. Andrew Horton. Berkeley: U of California P, 1991. 79-90.
Miklitsch, Robert. "Godard/Auden/Martini: Framing the Annunciation Scene, Richard Howard's 'Vocational Gyidance'." Perspectives on Perception: Philosophy, Art and Literature. Ed. Mary Ann Caws. New York: Peter Lang, 1989. 95-122.
Munoz, Willy O. "Beyond the Copacabana: The Purple Rose of Cairo as Metafilm. Varities of Filmic Expression. Ed. Umstead Douglas Radcliff. Kent, OH: Romance Langs. Dept., Kent State U, 1989. 99-104
Norden, Martin. "Film and Painting." Film and the Arts in Symbiosis: A Resource Guide. Ed. Gary R. Edgerton. Westport, CT: Greenwood, 1988. 17-45.
Rothwell, Kenneth s. "Representing King Lear on Screen: From Metatheatre to 'Meta-Cinema'." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 39 (1987): 75-90.
Stam, Robert. Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard. New York: Columbia University Press, 1985.
Willson, Robert F., Jr. "Recontextualizing Shakespeare on Film: My Own Private Idaho, Men of Respect, Prospero's Books." Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 10.3 (1992): 34-37.
Waugh, Patricia. Metafaction. New York: Routledge, 1987.
Yacowar, Maurice. "Negotiating Culture: Greenaway's Tempest." Queen's Quarterly 99.3 (1992): 689-97.

四、電影與繪畫

Cadbury, William. "The Classic as a Phase of Style in Renaissance Painting in in Film." Purdue University Seventh Annual Conference on Film. 24-26 Mar. 1983. West Lafayette: Dept. of Eng., Purdue U, 1983. 289-95.
Hollander, Anne. Moving Pictures. Cambridge, Massachusetts, London, England: Harvard University Press, 1986. Rpt. 1991.
Kirby, Lynne. "Painting and Cinema: The Frames of Discourse." Camera Obscura: A Journal of Feminism and Film Theory 18 (1988): 95-105.
Leutrat, Jean-Louis. "Traces That Resemble Us: Godard's Passion." Substance: A Review of Theory and Literary Criticism 15.3.(51) (1986): 36-51.
Peucker, Brigitte. Incorporating Images: Film and the Rival Arts. Princeton University Press, 1995.
Vacche, Angela Dalle. Cinema and Painting: How Art Is Used in Film. Austin: University of Texas Press, 1996.

五、文字與繪畫

Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983
Bryson, Norman. Holly, Michael Ann. & Moxey, Keith. ed. Visual Theory: Painting & InterpretaBryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. Harvard University Press, Cambridge, Massachusetts, 1990
Carrier, David. "Ekphrasis and Interpretion: Two Modes of Art History Writing." British Journal of Aesthetics 27.1 (1987): 20-31.
Caws, Mary Ann. The Art of Interference: Stressed Readings Visual and Verbal Text Princeton: Princeton UP, 1989. Cluck, Nancy A., ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
Davidson, Michael. "Ekphrasis and the Postmodern Painter Poem." Journal of Aesthetics and Art Criticism 42.1 (1983): 69-79.
Heffernan, James A. W. "Ekphrasis and Representation" in New Literary History. 1991, 22:297-316.
Hollander, John. "The Poetics of Ekphrasis." Word & Image: A Journal of Verbal/Visual Enquiry 4.1 (1988): 209-219.
Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore and London: The Johns Hopkins University Press, 1992.
Krieger, Murray. "The Ekphrastic Principle and the Still Movement of Poetry: Or, Laocoon Revisited." The Play and Place of Criticism. Baltimore: Johns Hopkins UP, 1967. 105-28.
Lauter, Estella. "Feminist Interart Criticism: A Contradiction in Terms?" College Literature 19.2 (1992): 98-105.
Meltzer, Fran媤ise. Salome and the Dance of Writing. Chicago: U of Chicago P, 1987.
Meyer, Kinereth. "Ekphrasis and the Hermeneutics of Landscape." American Poetry 8 (1990): 23-36.
Mitchell, W. J. T. "Ekphrasis and the Other" in The South Atlantic Quarterly 91:3, Summer 1992. pp. 695-719.
Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago & London: The University of Chicago Press, 1994.
Pap, Jennifer. "Apollinaire's Ekphrastic 'Poesie-Critique' and Cubism." Word & Image: A Journal of Verbal/Visual Enquiry 8.3 (1992): 206-14.
Starzyk, Lawrence J. "The Victorian Esthetic Dialogue of the Mind with Itself." Mosaic: A Journal for the Interdisciplinary Study of Literature 21.4 (1988): 1-17.
Wolf, Bryan. "Confessions of a Closet Ekphrastic: Literature, Painting and Other Unnatural Relations." The Yale Journal of Criticism: Interpretations in the Humanities 3.2 (1990): 181-203.

六、文字與音樂

Brown, Calvin S. "The Relations Between Music and Literature as a Field of Study." CL 22, 1970.
Brown, Calvin S. Music and Literature. Athens: Georgia UP, 1948.
Scher, Paul S.. "Literature and Music." Interrelations of Literature. Eds. Jean-Pierre Barricelli and Joseph Gibaldi. New York: MLA, 1982. 225-250.

七、互文理論

Barthes, Roland. "From Work to Text" in Image-Music-Text. trans. Stephen Heath. New York: The Noonday Press,1977.
Guill�n, Claudio. "Literary Relations" in The Challenge of Comparative Literature. trans. Cola Franzen. Cambridge, Massachusetts, and London, England: Harvard University Press,1993. pp. 240-287.
Kristeva, "Word, Dialogue and Novel" in Kristeva Reader, ed. by Toril Moi (UK: Basil Blackwell Ltd, 1987), pp. 35-61.
Riffaterre, Michael. "Sylllepsis" in Critical Enquiry. VI, 1980, pp. 625-38.
Roland Barthes, "The Death of the Author," (1968) in Image-Music-Text, 142-148 Worton, Michael. & Still, Judith. eds. Intertextuality: Theories and Practices. Manchester and New York: Manchester University Press, 1990.

八、與繪畫有關的電影舉例

Antonioni, Michelangelo.	Red Desert
Cavalier, Alain.	Thérèse
Derek Jarman	The Garden Carravagio
Godard, Jean-Luc.	Pierrot le Fou Breathless Passion
Peter Greenaway	The Draughtsman's Contract In the Belly of an Architect The Cook, the Thief, His Wife and Her Lover Prospero's Books
Minnelli, Vincente.	An American in Paris
Mizoguchi, Kenji.	Five Women around Utamaro
Murnau, F.W.	Nosferatu
Rohmer, Eric.	The Marquise of O
Tarkovsky, Andrei.	Andrei Rublev

九、後設電影舉例

Jean-luc Godard	Prenon Carmen Hail Maire Passion Soigne ta Droite (1987)
Peter Greenaway	Prospero's Books
Egoyan	Family Viewing Speaking Parts
Wenders	Till the End of the World
Woody Allen	Purple Roses at Cairo Bullets Over Broadway Crimes & Misdemeanors Manhattan Murder Mystery
Peter Brook	Marat-Sade (Paul Mazursky's production)

十、主要導演與相關議題初步研究書目

Bellour, Raymond. & Mary Lea Bandy. eds. Jean-Luc Godard: Son+Image 1974-1991. New York: The Museum of Modern Art. Distributed by Harry N. Abrams, Inc., 1992.
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New York: Columbia University Press, 1984.
Cahiers du Cin�ma , Vol. II: The 1960s, New Waves, New Cinema, Re-evaluatiing Hollywood. London: Routledge & Kegan Paul; The British Film Ubstutyte 1986.
Chatman, Seymour. Antonioni: The Surface of the World. Berkeley: University of California Press, 1985.
Carroll, Nol. The Philosophy of Horror: Paradoxes of the Heart. New York: Routledge, 1990.
Coates, Paul. The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror. Cambridge: Cambridge University Press, 1991.
Collier, Jo Leslie. From Wagner to Murnau: The Transposition of Romanticism from Stage to Screen. Ann Arbor, Mich.: UMI Research Press, 1988.
Dalle, Vacche, Angela. The Body in the Mirror: Shapes of History in Italian Cinema. Princeton: Princeton University Press, 1992.
Dixon, Wheeler Winston. The Films of Jean-Luc Godard. State University of New York Press, 1997.
Eisner, Lotte. The Haunted Screen: Expressionism in German Cinema and the Influence of Max Reinhardt. Translated by Roger Graves. Berkeley: University of California Press, 1977.
Godard, Jean-Luc. Godard on Godard. ed, by Jean Narboni and Tom Milne (A Da Capo Paperback, 1968; English translation 1972; New forword 1986).
Hayward, Susan. and Ginette Vincendeau. eds. French Film: Texts and Contexts. London and New York: Routledge, 1990.
Kline, T. Hefferson. Screening the Text: Intertextuality in the New Wave French Cinemai. Baltimore: Johns Hopkins University Press, 1992.
Lawrence, Amy. The Films of Peter Greenaway. Cambridge Film Classics, 1997.
Le Fanu, Mark. The Cinema of Andrej Tarkovsky. London: British Film Institute, 1987.
MacCabe, Colin. & Mick Eaton & Laura Mulvey. Jean-Luc Godard: Image, Sound & Politics. Indiana University Press, 1980. trans. into Chinese by Lin, Bao-yuan. Tonsan Books, 1991.林寶元譯．《尚－盧．高達：影像．聲音與政治》台北：唐山出版社，１９９１。
Mahsun, Carol Anne, ed. Pop Art: The Critical Dialogue. Ann Arbor, Mich: UMI Research Press, 1989.
Tarkovsky, Andrey. Sculpting in Time: Reflections on the Cinema. Trans. By Kitty Hunter-Blair. Austin: University of Texas Press, 1986.
Todorov, Tzvetan. The Fantastic.
Turovskaya, Maya. Tarkovsky: Cinema as Poetry. Translated by Natasha Ward. London: Faber and Faber, 1989.
Weiss, Allen S. Shattered Forms: Art Brut, Phantasms, Modernism. Albany: State University of New York Press,1992.
Wollen, Peter. "Godard and Counter Cinema: Vent d'Est." Reading and Writings: Semiotic Counter-Strategies. Thetford, Norfolk: The Thetford Press Lt., 1982. pp. 79-91.
Woods, Alan. Being Naked Playing Dead: The Art of Peter Greenaway. Manchester University Press, 1996.

十一、女性前衛導演與後設電影

Germaine Dulac (dir) / Antonin Artaud's script: The Seashell and the Clergyman (1928)
Maya Deren: Meshes of the Afternoon (1943-1959), At Land (1944)
Laura Mulvey and Peter Wollen: Pehthesilea (1975), Riddles of the Sphinx (1977)
Trinh T. Minh-ha: Naked Spaces
Yvonne Rainer: Journeys from Berlin/1971 (1979), Sigmund Freud's Dora (1979)
Others: Joyce Wieland, Marie Epstein, Shirley Clarke, Lauren Rabinovitz, etc.

十二、特別有關女性主義電影批評理論基本參考書目

Carson, Diane. Dittmar, Linda. & Welsch, Janice R. Eds. Multiple Voices in Feminist Film Criticism. Minneapolis, London: University of Minnesota Press, 1994.
Erens, Patricia. Ed. Issues in Feminist Film Criticism. Bloomington and Indianapolis: Indiana University Press, 1990.
Kuenzli, Rudolf E. Ed. Dada and Surrealist Film. New York: Willis Locker & Owens, 1987.
Kuhn, Annette. Women's Pictures: Feminism and Cinema. (1982) London, New York: Verso 1994.
MacDonald, Scott. Avant-garde Film. Cambridge University Press, 1993.
Pietropaolo, Laura. & Testaferri, Ada. Ed. Feminisms in the Cinema. Bloomington and Indianapolis: Indiana University Press, 1995.

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Meta-cinematic studies and comparative art Selected Bibliography

Meta-cinematic studies and comparative art
Selected Bibliography