羅琇如
文化研究國際中心 博士後研究員(2021/1-)
電子郵件｜hsl2118@columbia.edu
簡介
協助規劃國際會議，共同執行2023 ACS Institute；參與子計畫三，執行個人計畫：研究數位監控和審查，及其對身體意識和行為的影響—亞洲各地一連串抗議運動的語境為參照。
畢業學校
紐約哥倫比亞大學
博士論文
Crossing Rivers and Lakes: The Art of Everyday Life in Contemporary China
簡單工作經驗
北京大學中國當代藝術檔案研究員；執行策展 2021年巡迴展覽「線性」
研究興趣
視覺文化；政治的；媒體與科技；說故事；(表演) 行為
研究計畫
在完成關於當代中國「江湖」文化和「玩世現實」主義的博士論文後，羅琇如開始研究數位監控和審查，及其對身體意識和行為的影響，尤其近年來在亞洲各地一連串抗議運動的語境之下—但不僅限於此。近來，她對人工智能的關注醞釀出幾篇關於香港似水運動中各種極具創意的「江湖」策略以及新媒體藝術的出版文章。目前，她的研究涉及數位監控和審查語境中，線上與線下「迷因」的繁殖與散播。
個人計畫
「迷因」民族誌； 德國「未來寓言」參展藝術家
個人履歷
Education
2017 PhD in Socio-Cultural Anthropology from Columbia University, USA(awarded in 2018)
2012 M. Phil in Socio-Cultural Anthropology, Columbia University
2009-2011 Master of Arts in Socio-Cultural Anthropology, Columbia University
2002-2005 Bachelor of Arts (Honours), University of Melbourne, Australia Majors: Political Science/History
Research Appointments
2021-present Postdoctoral Fellow at International Center for Cultural Studies, National Chiao Tung University, Taiwan
2018-20 Postdoctoral Fellow at Peking University, PRC
2012-4 Research and Consultancy for Prof. Michael Dutton at Goldsmiths College, London, United Kingdom
2006-7 Researched and Co-authored book Beijing Time (Harvard University Press)
2004 Internship in the Parliament of Victoria, Australia
2003 Internship in the Museum of Victoria, Australia
Teaching Fellowships
Spring 2015 – Introduction to Twenty-first Century Archaeology
Fall 2014 – Film and Culture
Spring 2012 – Anthropology of Estrangement
Fall 2011 – Ancient Empires
Spring 2011 – Introduction to Twenty-first Century Archaeology
Fall 2010 – Film and Culture
Reviewer for International Journals
positions: asia critique
Theory, Culture & Society
Art Practice and Curation
2019 — present – Art collaboration with artist Li Zifeng
2019 — Anthropologist & Assistant Curator for Huang Yugang’s Solo Art Exhibition Notes
from the Field held in Minsheng Gallery, Beijing, China
2014 — Anthropologist-in-Residence at Spring 2014 Co-Art Festival, Lijiang, Yunnan
Province, People’s Republic of China
Seminar Series Organization
September - December 2016 – Taiwan Seminar Series at Columbia University
Honors and Awards
Autumn 2018 – International Exchange Scholars (Top 100) Fund Grant, PRC
Summer 2016 – Weatherhead East Asian Institute PhD Training Grant, USA
Summer 2015 – Weatherhead East Asian Institute PhD Training Grant, USA
Summer 2011 – Weatherhead East Asian Institute PhD Training Grant, USA
Summer 2010 – Daniel and Mariane Spiegel Fund Grant, USA
Summer 2010 – Sasakawa Young Leader Fellows Fund Grant, USA
Talks and Conferences
2021 - Presented a talk “Art in the age of big data: decoding the lines of Li Zi-Fong” at Rotary Club, Taiwan.
2019 – Presented a talk “Decoding Surveillance Assemblages: How to read Li Zi-Fong’s Lines and Hong Kong’s Eyes” at the Third International Conference on Deleuze and Artistic Research (DARE) at Orpheus Institute, Ghent, Belgium.
2018 – Presented a talk “Crossing Rivers and Lakes: The Art of Everyday Life in Contemporary China” at a community organised event in Taranto, Italy.
2015 – Presented a talk “Crossing Rivers and Lakes: The Art of Everyday Life in Contemporary China” as part of the Sheldon Scheps Memorial Workshop Series at Columbia University, New York.
2014 – Presented a talk on Long Reading in Lijiang, China.
2014 – Discussed in a forum Anthropology, Art, Method in Lijiang, China.
2014 – Attended and addressed at press conference for Artist Residency at the Shuhe Art Festival in Lijiang, China.
2014 – Addressed in seminar Beyond Baimiao Project in Beijing, China.
2013 – Participated in the First International Deleuze Studies in Asia Conference and Camp, Taipei.
2012 – Invited to present paper “Crossing Rivers and Lakes: Mimesis, Tactic, Flow” in Culture as Critical Theory conference in Academia Sinica, Taipei.
2010 – Participated in conference Anthropological Futures at Academia Sinica, Taipei.
2009 – Presented a talk on co-authored book Beijing Time at National Tsinghwa University, Taiwan.
Selected Publications and Translations
Forthcoming, 2021: Chapter “Assemblage Line and Tactical Fluidity” in edited book Schizoanalysis of Post-Media for the series Schizoanalytic Applications for London: Bloomsbury Academic.
2020: “ Decoding Surveillance Assemblages: How to read Li Zi-Fong’s Lines and Hong Kong’s Eyes” in Machinic Assemblages of Desire. Deleuze and Artistic Research 3. Leuven: Leuven University Press.
2020: “Linea di assemblaggio: Le linee di visione di Li Zi-Fong e Zhang Shiran” in il fico rosso numero zero, Italy, pp. 55-66.
2019: Translation (Chinese to English) of journal article “Friendly relations between China and Iran: A Historical Survey” in Lishi Yanjiu, no. 7 July Issue, pp. 72-82, 1978.
2019: Translation of Art Catalogue for Group Exhibition On Paperï Supreme curated by Chang Feng.
2016: Translation (Chinese to English) of Essay by renowned poet Yu Xinqiao “The Kind of Paintings In Need of Translation: An Essay on Zhu Weibin And His Paintings Based On The Phenomenon of Line Series in The Interwoven Jungle: Zhu Weibin’s The Phenomenon of Line Series. Beijing: Ning Space.
2012: Hsiu-ju Stacy Lo, “A Flight of Fancy” in journal Anthropology and Humanism vol. 37 no. 1 June Issue, pp. 100-104(5) (available online and in print).
2008: Michael Dutton, Hsiu-ju Stacy Lo & Dong Dong Wu. Beijing Time. Cambridge, Massachusetts: Harvard University Press.
