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  1. ¨ã¦³¶W²{¹ê­·®æ¤§µe§@¡G µL²z©Êªº«÷¶K¡B ¹H¤Ï°ò¥»ª«²z­ì«h¦Ó³y¦¨ªº«ÕÀq»P¯îÂÕ·P¡B ¹ÚÆL¯ëªº¯«¯µ®ðª^¡B ¤£¦¨§Îª¬ªº¤H§Î¡B ¯î­ì´ºÆ[
  2. Herschel B. Chipp's Theories of Modern Art¡A ¡q¹F¹F¡A ¶W²{¹ê¥D¸q©M§Î¦Ó¤W¾Ç¬£¡r¡A ¡m²{¥NÃÀ³N²z½×¢º¡n¡A §E¬À¬ÀĶ¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A1995¡C531-652­¶¡C
  3. Willy Rotzler's Objektkunst (Object Art)¡A ¡q¹F¹F¡r¡B ¡q¶W²{¹ê¥D¸q¡r»P ¡q·s¶W²{¹ê¥D¸q¡r¡A ¡mª«ÅéÃÀ³N¡n¡A §dº¿²|Ķ¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A1991¡C41-113­¶¡C

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. . ºô¯¸ 1¡G[ The Surrealism Server ]
. . ºô¯¸ 2¡G[ Exhibits ]
. . ºô¯¸ 3¡G[ A Brief Introduction to Surrealism ]
. . ºô¯¸ 4¡G[ A Short Inverted Bibliography of Surrealism ]
. . ºô¯¸ 5¡G[ No More Words: A Non-Glossary ]

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  1. ¦­´Á¶H¼x¬£¸Ö¤H¡Gªü«O¨½©`º¸Guillaume Appollinaire¡B ¬¥¯S°ÒComte de Lautreamont¡B ÁúÀjAuthur Rimbaud
  2. ¹F¹F«Å¨¥Dada Manifesto ¤Î¥Nªí©Ê¤Hª«
  3. ¥¬²üªFªº¡q¶W²{¹ê¥D¸q«Å¨¥¡r¡A ¤B¥@¤¤Ä¶¡A¡m¥¼¨Ó¥D¸q¡B ¶W²{¹ê¥D¸q¡B Å]¤Û²{¹ê¥D¸q¡n¡A ¬h»ï¤E¥D½s¡A ¥x¥_¡G ²QÄÉ¥Xª©ªÀ¡A 1990¡C 236-342­¶¡C
  4. ¦ó¿×¶W²{¹ê¥D¸q¡]¥¬²üªF¡^
  5. ªLïú¼w¡q­x¤õ°Ó¤HÁúÀj¡r
  6. Mary Ann Caw's "Partiality and the Ready Maid, or Representation by Reduction" in The Art of Interference: Stressed Readings in Verbal & Visual Texts (1989), 64-70.
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. . ºô¯¸ 1¡G[ WebMuseum: Dada ]
. . ºô¯¸ 2¡G[ International Dada Archive Home Page ]
. . ºô¯¸ 3¡G[ Surrealist Writers ]

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¬¥¯S°Ò Comte de Lautreamont
. . ºô¯¸ ¡G[ Comte de Lautreamont ]

ÁúÀj Arthur Rimbaud
. . ºô¯¸ ¡G[ Authur Rimbaud ]

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  1. µe§@¡G¹F§Q Salvado Dali ¡B ¦Ìù Joan Miro¡B °¨®æ§Q¯S Rene Magritte¡B ©_§Q­ô Giogio de Chirico
  2. ¹F§Qªº°¾°õ§å§P»P«D²z©Ê»{ª¾ Paranoiac Criticism
  3. ¦Û°Ê¼g§@§Þªk Automatic Writing »P ¥¬²üªF Andre Breton ¡B ¦ã§f¨È P. Eluard¡B ªü©Ô°^ Aragon¡B ¬d©Ô Tristan Tzara¡B Ĭªi P. Soupault¡B ¥ËÁ Vach‚¡B ¼w´µ¿Õ Desnosªº¸Ö
  4. Eddie Wolfram's History of Collage, ¡q«÷¶Kªk¨«¤J®É¥N¡G ¹F¹Fªº¤Ï¬ü¾Ç¡r¡B ¡q«÷¶Kªk»P¦Û§Ú¹ê²{¡G ¶W²{¹ê¥D¸q¡B ¤Û·Q»Pºë¯«ÁÍÁתºÃÀ³N¡B ¥DÆ[ªº¯u²z¤Î¤ß²z¯u¹ê©Ê¤§ÃÀ³N¡r¡A ¡m«÷¶KÃÀ³N¤§¾ú¥v¡n¡A ³Å¹Å·éĶ¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A 1992¡C 95-178­¶¡C
  5. Mary Ann Caw's "The Meaning of surrealism, and why it matters" and "Pointing at the Surrealist Image" in The Art of Interference: Stressed Readings in Verbal & Visual Texts (1989), 71-103.
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·¨¦p­^¡ÐEddie Wolfram's History of Collage
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. . ºô¯¸ 1¡G[ Surrealist Writers ]
. . ºô¯¸ 2¡G[ Surrealist Writings ]
. . ºô¯¸ 3¡G[ vworlds-list archive Narrative ]
. . ºô¯¸ 4¡G [ ¨ä¥L§@®a¡]ªk¤å¡^ ]
. . ºô¯¸ 5¡G[ ¶W²{¹ê¹Ï®ÑÀ] ]
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¥¬²üªF Andre Breton
. . ºô¯¸ ¡G[ form your eyes by closing them ]

ªü©Ô°^ Aragon
. . ºô¯¸ ¡G[ the green waters of stillness ]

¦ã§f¨È P. Eluard
. . ºô¯¸ ¡G [ the cards said i would meet her in life ]

¬d©ÔTristan Tzara
. . ºô¯¸ ¡G [ Tzara's 8th.html ]

¼w´µ¿Õ Desnos
. . ºô¯¸ ¡G[ o sentimental balances ]

°¨®æ§Q¯S Rene Magritte
. . ºô¯¸ 1¡G[ Rene Magritte ]
. . ºô¯¸ 2¡G[ Net it be Server Engine Number ]
. . ºô¯¸ 3¡G[ Magritte/Surrealism ]
. . ºô¯¸ 4¡G[ Magritte Home Page ]

¦Ìù Joan Mir
. . ºô¯¸ ¡G[ Miro.html ]

¹F§Q Salvado Dali
. . ºô¯¸ ¡G[ A Docent's Tour of Salvador Dal ]

©_§Q­ô Giogio de Chirico
. . ºô¯¸ ¡G[ WebMuseum Chirico, Giorgio de ]
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  1. µe§@¡G ·R­Û«ä¯SMax Ernst¡B°Ò¹pMan Ray¡Bªüº¸´¶Jean Arp¡B ©Z°òYves Tanguy¡B ³Ç§J±ö²ÄAlberto Giacometti¡B °¨»¹Andre Masson¡B°¨¥LRoberto Matta¡B ¨©°Ç±öHans Bellmer¡Bªk¬¥Remedios Varo¡B®õ®æKarel Teige¡B ¼wº¸¨UPaul Delvaux¡B®L¥dº¸Marc Chagall
  2. Mary Ann Caw's "Contrary Relations: Surrealism in the Books" in The Art of Interference: Stressed Readings in Verbal & Visual Texts (1989), 103-110.
  3. Rosalind E. Krauss's "The Photographic Conditions of Surrealism" (1981) ¡q¶W²{¹ê¥D¸qÄá¼vªº±¡ª¬¡r¡AThe Originality of the Avant-Garde and Other Modernist Myths ¡m«e½Ãªº­ì³Ð©Ê¡n¡A ³s¼w¸ÛĶ¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A 1995¡C 125-167­¶¡C
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. . ºô¯¸ ¡G[ WebMuseum Surrealism ]

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¼wº¸¨U Paul Delvaux
. . ºô¯¸ 1¡G[ WebMuseum: Delvaux, Paul ]
. . ºô¯¸ 2¡G[ DELVAUX Projet ]

®L¥dº¸ Marc Chagall
. . ºô¯¸ ¡G[ Marc Chagall ]

³Ç§J±ö²Ä Alberto Giacometti
. . ºô¯¸ ¡G[ Galerie Hauser & Wirth: Alberto Giacometti Nu debout ]

·R­Û«ä¯S Max Ernst
. . ºô¯¸ ¡G[ WebMuseum Ernst, Max ]

°Ò¹p Man Ray
. . ºô¯¸ 1¡G[ Man Ray 1890-1976 ]
. . ºô¯¸ 2¡G[ WebMuseum Man Ray ]
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  1. µe§@¡G¦ã¹ÅEilleen Agar¡B ªâ©gLonor Fini¡B ¥dÅÚFrida Kahlo¡B ²ï®V¡]ÂĦN¡^Kay Sage¡B ÃÓ¹çDorothea Tanning¡B ³³§°Marie Cermnov Toyen Lenora Carrington¡B Rita Kernn-Larsen¡B Valentine Hugo¡B ªk¬¥ Remedios Varo¡B Edith Rimmington
  2. Witney Chadwick's Women Artists and the Surrealist Movement
  3. ¡m¶W²{¹ê¥D¸q»P¤k¤H¡n¡G ¡qµo²{©p¤£¦b´M§äªº¡r¡B ¡q¼Ú¥»©Mªº¶W²{¹ê¥D¸q§@«~½s¦~¡r¡B ¡q¨­Å骺ÄAÂССР¥dÆF¹y¡B¥¬©Ô¦è¿Õ©M °Ò¯Áº¸ªº¦×Åé·N¶H¡r¡B ¡q¹L´ç®É´Á¡GÂĦNªºµ²ºc¬£¶W²{¹ê¥D¸q¡r¡B ¡q¬ü¤k»P¡þ¬O³¥Ã~¡Ð¡Ð ¥dÆF¹y¡BªkÅÚ»P ¶O©g§@«~¤¤°Êª«¶H¼x§e²{¡r¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A1995.
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. . ºô¯¸ ¡G [ Female Surrealist Artists ]
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. . ºô¯¸ 1¡G [ Bibliography of Women and Surre ]
. . ºô¯¸ 2¡G [ Women In Surrealism (2) ]
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ªüº¸¤ñ¨È Anne-Marie Albiach
. . ºô¯¸ ¡G[ Anne-Marie Albiach ]

´¶©Ô´µ¿Õ Gisele Prassinos
. . ºô¯¸ ¡G[ Gisele Prassinos ]

¥dÆF¹y Leonora Carrington
. . ºô¯¸ ¡G[ Leonora Carrington ]

¼Ú¥»º~ Meret Oppenheim
. . ºô¯¸ ¡G[ Meret Oppenheim ]

´Ä®¦ Unika Zurn
. . ºô¯¸ ¡G[ Unika Zurn ]
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  1. ¶W²{¹ê¥D¸qÃÀ³N¤¤ªº¤k©Ê¡]½u¤W¸ê·½¡^
  2. Mary Ann Caw's "Ladies Shot and Painted: Female Embodiment in Sureralist Art" in The Art of Interference: Stressed Readings in Verbal & Visual Texts (1989)
  3. Sidra Stich's "Surrealist Figures" in Anxious Visions, New York: Abbeville Press, 1990. 26-79.
  4. ¡q¶W²{¹ê¥D¸q»P¹½¤k¤ßºA¡r¡A ¡m¶W²{¹ê¥D¸q»P¤k¤H¡n¡A ÃÀ³NÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A 1995.
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. . ºô¯¸ ¡G [ Female Surrealist Artists ]
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. . ºô¯¸ 2¡G [ Women In Surrealism (2) ]
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ªüº¸¤ñ¨È Anne-Marie Albiach
. . ºô¯¸ ¡G[ Anne-Marie Albiach ]

´¶©Ô´µ¿Õ Gisele Prassinos
. . ºô¯¸ ¡G[ Gisele Prassinos ]

¥dÆF¹y Leonora Carrington
. . ºô¯¸ ¡G[ Leonora Carrington ]

¼Ú¥»º~ Meret Oppenheim
. . ºô¯¸ ¡G[ Meret Oppenheim ]

´Ä®¦ Unika Zurn
. . ºô¯¸ ¡G[ Unika Zurn ]
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  2. ¶W²{¹ê¥D¸q¦b¹q¼v§Î¦¡¤¤ªº§e²{¤è¦¡¡G µe­±ºc¹Ïªº¥Ù¬Þ«÷¶K¡B «e«á¨Æ¥óªºµL²z©Ê»X¤Ó©_¸õ±µ¡B ©Ç²§¿ùÂթάO¦p¦P¹Ú¹Ò¯ëªº­·®æ¡B ¥H¤Î§å§P¥\¯à¡]½u¤W¸ê°T¡^
  3. ¨ä¥L¶W²{¹ê­·®æ¹q¼v¡]½u¤W¸ê°T¡^
  4. Linda Williams's "Un Chien andalou" and "L'Age d'or" in Figures of Desire: A Theory and Analysis of Surrealist Film. 53-150.
  5. Luis Bunelªº ¡q¹Ú¤Û»PªÅ·Q¡r¤Î ¡q¶W²{¹ê¥D¸q¡r¡A ¡m¥¬¯Ãº¸¦Û¶Ç¡n¡A ¼B´Ë³óĶ¡A ¹q¼vÀ]ÂO®Ñ¡A ¥x¥_¡G »·¬y¥Xª©ªÀ¡A1989¡C89-124­¶¡C
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. . ºô¯¸ 1¡G[ SURREALISM ]
. . ºô¯¸ 2¡G[Luis Bunuel: A Selected Bibliography/Videography of Materials ...]

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magic realism artists
. . ºô¯¸ 1¡G[ argonauts ]
. . ºô¯¸ 2[ Charles Becker at Weinstein Gal ]

magic realism defination
. . ºô¯¸ 1[ chrono ]
. . ºô¯¸ 2[ The UVic Writer's Guide Magic ]

magic realism magazine
. . ºô¯¸ 1[ Century Magazine ]
. . ºô¯¸ 2[ Mythagoras ]

magic realism writers
. . ºô¯¸ 1[ Gabriel Garc M quez -- Macon ]
. . ºô¯¸ 2[ MAGIC REALISM AND THE WORK OF R ]
. . ºô¯¸ 3[ The Garden of Forking Paths ]
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  3. Frederic Jameson: "On Magic Realism in Film"Critical Inquiry, Winter 1986, Volume 12, Number 2.
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. . ºô¯¸ 1[ ANTONIA'S LINE ]
. . ºô¯¸ 2[ Discussion Questions, Like Wate ]
. . ºô¯¸ 3[ Guimba ]

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. . ºô¯¸ 1¡G[ Panic Surrealism ]
. . ºô¯¸ 2¡G[ Tables of Contents for all issu ]
. . ºô¯¸ 3¡G[ The Massurrealist Society Pop- ]


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